[resource-net] 25.11 Fabio Perletta :: Emra Grid @ Liebig12 BLN

[liebig zwoelfe]

Dear reSourcers

Liebig12 is calling again presenting the next encounter curated by artist
Sam Hertz.
Will be nice meeting some of you on

*25.11.2016*
Doors: 19.30
Event Start: 20.00 On-Time


*Fabio Perletta :: Emra Grid*

* Fabio Perletta* is a sound/installation artist and curator living and
working in Berlin, Germany. He creates immersive auditory fields
which engage listeners to experience intimate and meditative
states, using the sound as a vehicle for conceptual investigation
and sensorial stimulation. Through an extensive study of Zen
practices, he combines notions of minimalism, presence and
silence, revealing a complex approach to the sound matter.
His work have been exhibited worldwide at festivals and art spaces
including A×S Festival (Pasadena), BlueProject Foundation
(Barcelona), Museum of Modern Art (Medellín), SoundFjord Gallery
(London), Café OTO (London), O’ (Milan), Kid Ailack Art Hall
(Tokyo), roBOt Festival (Bologna), Auditorium Parco della Musica
(Rome) and more.

Perletta’s solo and collaborative recordings are published by LINE
(US), Dragon’s Eye Recordings (US), Yugen Art (IT) and his own
imprint Farmacia901 (IT). He works for the curatorial research
program Lux and co-runs the visual and sound art studio Mote.

www.fabioperletta.it
<http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.fabioperletta.it%2F&h=kAQFNkKVh&enc=AZNYPzheJjUGOG96x4UfcmyST2Y3mHc-rPxfmekmgVSP8i6AlMIqTH_-H7n4XJDm5v8&s=1>

*Genkai *(Japanese 限界, meaning limit, boundary) is the second collaboration
between Italian sound artist Fabio Perletta and Japanese sound designer for
Pioneer, Haruo Okada.

The work was born out of the purpose to limit the elements employed in the
process of composing. It comes up in the form of micro compositions created
by following strict rules of juxtaposing elements: ‘and/or’, ‘just one’,
‘maximum three’, ‘duration’. An attempt of creating independent systems of
electro-acoustic combinations, mixing abstract electronics and concrete
recordings through an ever changing auditory field.

All sound recorded by Haruo Okada between 2008 and 2016 in various
locations around the world including a cave, a small factory, several
airport lobbies, and a recording room. Digitally processed and composed by
Fabio Perletta in Berlin between January and February 2016.

••••

*Emra Grid* destroyed back itself restored, first in 1986. He was mostly
functional in the United States although he was originally manifactured in
Spain. Emra Grid is currently in Berlin dealing with the complex issues of
taking loops out of a grid to make music that could sound almost human.

The work of Emra Grid revolves around the idea of working simultaneously
with and against a predelineated timeline graph or gridded structure. Emra
Grid's compositions are created by first structuring sound within a grid
and the reorganizing it. Some of this sound material is subsequently
shifted outside of the grid, resulting in an improvised sound, which is in
fact rooted in the original structure. Aesthetically, the sound of Emra
Grid experiments with the relationship between sound and empty space in
order to accentuate the relationship between phrasing and dynamics. The
result is a highly visual synthesis of beats, soundscapes, drones and
continous permutations of bass frequencies, which gradually come together
and slowly fall apart.

https://opaltapes.bandcamp.com/album/emra-grid-the-same-face


Suggested Donation €5 - 10

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-- 
Liebig12
Liebigstrasse 12
10247 Berlin
liebig12.net
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