[resource-net] 5 Dec @Liebig12: Audrey Chen, Phil Minton, Richard Scott, Henrik Munkeby Nørstebø + Doron Sadja

liebig zwoelfe liebigzwoelfe at gmail.com
Mon Dec 5 04:38:38 CET 2016


Delighted to host these fantastic artists for a full evening at Liebig12 --
please join on:

*5 December*
*Doors: 19.30*
*Show Start: 20.00 ON-TIME*
*Suggested Donation €5 - 10 Paid directly to Artists*

Two sets by:

(Duo/Quartet)
*PHIL MINTON (voice)* http://www.philminton.co.uk/
<http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.philminton.co.uk%2F&h=kAQFVow9g&enc=AZP4JvrZmIX9tRgTmCTmLjvUo-a6WzZB3fTbHGy_NxuXvYIYqtAsy2-UO8FcGqkwVOE&s=1>
*AUDREY CHEN (voice)* http://www.audreychen.com/
<http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.audreychen.com%2F&h=VAQHhVUHw&enc=AZMV-8FHZg3d8kA3YrzfegDidb6FRUS6Kfkk1Im0KcZVTSC80ufvkCTxddBl_b6XZzQ&s=1>
+
*RICHARD SCOTT (modular synthesizer)* www.richard-scott.net
*HENRIK MUNKEBY NØRSTEBØ (trombone)* https://henriknorstebo.com/
<https://www.facebook.com/l.php?u=https%3A%2F%2Fhenriknorstebo.com%2F&h=QAQGZc_Ku&enc=AZMyteIxceLOqC4yl_6wtBb5pr_RXzt1P1uacTAChDQxtwYtReCguP18zi10QP4PhFc&s=1>

+AND+
*DORON SADJA (electronics)* http://doron.sadja.com/
<http://l.facebook.com/l.php?u=http%3A%2F%2Fdoron.sadja.com%2F&h=2AQF2UBVz&enc=AZOd6gqejf8YCDhjnW_gI9ttkMWtavlWLvo2DdzjxvZthXmqwUq7PFPt7oWgdVIsXRQ&s=1>

*https://www.facebook.com/events/1783926748526065/
<https://www.facebook.com/events/1783926748526065/>*

--
AUDREY CHEN & PHIL MINTON (VOICES)
With primary focus on the interplay between the uttered sounds of the mouth
and vocal chords, Minton and Chen plumb the depths of their most inherent
and bodily instruments. Their improvisations are fearless, fragile, hungry,
passionate, riotous, ululating and animalistic, yet are also in all
respects, human. They express, pronounce and intensely articulate (in their
fashion) the many nuanced shades of their individual and collaborative
conditions.

".......For those two voices interpenetrate to produce a more complex song.
It’s a single voice branching out. Here, what the voice produces is
actually what singing has not explored, what has been left behind as
something impure or non-complying. Something similar can be brightly heard
in Scelsi’s vocal pieces. There is also a similarity with the complex vocal
works (the logatomes) Léo Kupper extensively produced in the mid-‘60s.

At times, the music seems to lead us to a meaning that is deeper than the
textual level. Or is it the depth of another possible song? That’s when the
music takes us to areas that seem closer to the sacred, left untouched by
mediation, even slightly incomprehensible, though mostly ambivalent and
reality-piercing.

Both voices in interaction, perpetually urging the other on, producing more
than their simple addition, producing a third voice – like a
semi-autonomous organism – very difficult to explain how – why – as if what
had been mostly deeply burrowed was surfacing. An UR-song, like Schwitters’
UR-sonate. Something basal – though from an uncharted base. Music that
should be listened to before one even perceives the slightest melody. An
infra-song that encompasses everything including the comical, the
grotesque, the exacerbation of a mood, and the extreme pain that obscurely
lives inside all of us. Everything comes up effortlessly....." ---- Guy
-Marc Hinant (Subrosa Editions)


*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*
•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*

TO BE REMOVED FROM THIS MAILINGLIST JUST REPLY "REMOVE ME"

•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*•*
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Chen and Minton have been performing as a duo for more than a decade with
concerts/tours in Europe, the US, China, Argentina and Brazil. Their duo
album, By the Stream, was released by SUBROSA in 2013.

http://www.subrosa.net/en/catalogue/soundworks/phil-minton--audrey-chen.html
<http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.subrosa.net%2Fen%2Fcatalogue%2Fsoundworks%2Fphil-minton--audrey-chen.html&h=RAQHxQy5e&enc=AZNaJZlPEiW8KZWycGMpHN5xb02YJ3pr62HncOWXKW8mTNRtBnp-Xy_N8KxtWeWbDYI&s=1>

http://www.popmatters.com/review/171884-phil-minton-audrey-c
hen-by-the-stream/
<http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.popmatters.com%2Freview%2F171884-phil-minton-audrey-chen-by-the-stream%2F&h=qAQFiuWwF&enc=AZMwdAbXsC1XW-plZlJQ7Wc18_xwtt7kmpm3drLroljzVJhdK0xDnTUxEmIgS1UlBPY&s=1>

•••
Henrik Munkeby Nørstebø (born 1986 in Trondheim, Norway) is a trombonist
working mostly within contemporary fields of music. An ambiguous
relationship with the trombone has led him to explore both the boisterous
and brassy side of the instrument, as well as it’s counterpoint in
microscopic and ‘electronic’ sound possibilities. Utilizing a wide spectrum
of playing techniques, from pure long tones to noise and the almost
inaudible, he often works balancing the intuitive with the precisely
constructed.

Nørstebø’s time is divided between his regular projects; trios As deafness
increases, Lana trio, Whirl (with Tobias Delius) and Nørstebø/Strid/de
Heney, duo BEAM SPLITTER (with Audrey Chen), new music ensemble "Aksiom"
and the freejazzpop-band "Skadedyr". He is also a member of several project
based groups, and have appeared in a myriad of ad hoc settings. Having
toured actively since 2010, he has played at clubs and festivals in more
than half of the European countries, as well as in Russia, Japan, New
Zealand, Australia, Brazil and Argentina.

Apart from his big range of collaborations, Henrik has been working
regularly with solo music since 2007. His debut record was released in
2011, and his second solo record “Melting into foreground” was released on
SOFA in november 2015. In addition to numerous other releases, his
discography contains duo records with Swedish pianist Rasmus Borg and
Austrian sound artist Daniel Lercher.

Educated in improvised music and jazz from the music academies in
Gothenburg (BA) and Oslo (MA), he is now based in Norway and Berlin.

www.henriknorstebo.com
<http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.henriknorstebo.com%2F&h=kAQFVow9g&enc=AZNjDvKKpKqQM7XF-k3rqcXQUzGZooCvwjUktVIY0MhDmBs30teTX5e32k4uq3stK2M&s=1>


•••
Doron Sadja is an American artist, composer, and curator whose work
explores modes of perception and the experience of sound, light, and space.
Often working with multi-channel spatialized sound, smoke machines, and
high intensity lights, Sadja combines pristine electronics with lush
romantic synthesizers, dense noise, and immersive light projections to
create hyper-emotive sonic architecture. Although each of Sadja’s works are
striking in their singular and focused approach, his output is diverse:
spanning everything from 25 speaker sound works to stroboscopic smoke and
light shows, 360 degree projection pieces, and custom built motorized
speaker systems that can precisely track sound around a room. Sadja founded
Shinkoyo Records and the West Nile performance space in Brooklyn (RIP), and
currently runs the Sound Portraits lecture/listening series in Berlin.
Sadja studied Technology in Music and Related Arts at the Oberlin
Conservatory of Music, and received his MFA in Sound Art from Bard College
where he studied with Maryanne Amacher, Marina Rosenfeld, and David Behrman.

www.doron.sadja.com
<http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.doron.sadja.com%2F&h=_AQG7WkDB&enc=AZP4Vd3i7ZrmmfHHq659JVYHDQ0CWMd8yI_tm8KJYOEcsPikO9tXI6gpug5zt5WKOjI&s=1>


-- 
Liebig12
Liebigstrasse 12
10247 Berlin
liebig12.net
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