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Dear resourcers <br>
<br>
We have a wonderful event in collaboration with Occulto Festival on
this Saturday 14.11.2015.<br>
Hope you to see you there. Best Farah<br>
<br>
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!important; float: none;">Saturday Nov 14th 2015 Doors 20:00</span>
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white-space: normal; widows: 1; word-spacing: 0px;
-webkit-text-stroke-width: 0px;"><strong>Z’ev / Pure / Everest
Magma</strong></h3>
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<p style="margin-top: 0px; width: 250px;">NK Presents:<br>
NK co-curated the 2nd day of the festival in collaboration with
Occulto</p>
<p style="margin-top: 0px; width: 250px;"><strong>Venue:</strong><span
class="Apple-converted-space"> </span>NOrthEurope/WestGermany<br>
Skalitzerstr. 133<br>
10999 Berlin</p>
<p style="margin-top: 0px; width: 250px;">Join us on Facebook:<a
onclick="javascript:pageTracker._trackPageview('/outgoing/www.facebook.com/events/800921360016686/');"
href="https://www.facebook.com/events/800921360016686/"
style="color: black; text-decoration: none;"><a class="moz-txt-link-freetext" href="https://www.facebook.com/events/800921360016686/">https://www.facebook.com/events/800921360016686/</a></a><br>
<a
onclick="javascript:pageTracker._trackPageview('/outgoing/occultofest.com');"
href="http://occultofest.com/" style="color: black;
text-decoration: none;"><a class="moz-txt-link-freetext" href="http://occultofest.com">http://occultofest.com</a></a></p>
<p style="margin-top: 0px; width: 250px;"><span id="more-7825"></span><br>
<strong>Z’EV</strong><br>
Occulto Fest 2015 features the German premiere of Z’EV’s
CINEmotion – an evolution of his previous project Cine-Cussion
that presents audiovisual pieces accompanied by live electronic
music. On the occasion, film footage of a metalmorphic
performance of his produced in NYC in 1983 will be used as the
source material whose audio and video has been time dilated.</p>
<p style="margin-top: 0px; width: 250px;">The American poet,
audiovisual artist, musician and percussionist active under the
name Z’EV studied at CalArts with Concrete poet Emmett Williams.
In the late 70s he started to build his own concussive and
percussive instruments, mostly out of metal and other industrial
materials, and to perform with them. His 1988 LP “BUST THIS!”
was chosen by The Wire as one of the fifty best percussion-based
records of all time. In his own words, his “aesthetic interests
focus on the manipulation of time and duration and the
production of acoustic and cymatic phenomena”, and his “work
with text and sound has been influenced by primarily – but not
only, middle eastern mystical systems, as well as African,
Afro-Caribbean and Indonesian music and culture.”</p>
<p style="margin-top: 0px; width: 250px;">Works of his has been
released over the course of more then 35 years by labels such as
Subterranean, Avant, Die Stadt, Important Records. He had
collaborations with (among others) Konrad Becker, Alkistis
Dimech, Lydia Lunch, Merzbow, Stephen O’Malley, Chris Watson and
John Zorn.</p>
<p style="margin-top: 0px; width: 250px;"><a
onclick="javascript:pageTracker._trackPageview('/outgoing/www.rhythmajik.com/');"
href="http://www.rhythmajik.com/" style="color: black;
text-decoration: none;"><a class="moz-txt-link-freetext" href="http://www.rhythmajik.com/">http://www.rhythmajik.com/</a></a><br>
<a
onclick="javascript:pageTracker._trackPageview('/outgoing/www.discogs.com/artist/79684-ZEV');"
href="http://www.discogs.com/artist/79684-ZEV" style="color:
black; text-decoration: none;"><a class="moz-txt-link-freetext" href="http://www.discogs.com/artist/79684-ZEV">http://www.discogs.com/artist/79684-ZEV</a></a></p>
<p style="margin-top: 0px; width: 250px;">//////////////////////////////////////////////////////</p>
<p style="margin-top: 0px; width: 250px;"><strong>PURE</strong><br>
Born in Vienna and based in Berlin, PURE has been making
uncompromising electronic music since 1992. On stage he sculpts
abstract sonic stories from evolving textures, pulsating
repetitions and dynamic breaks using both hard- and software
that equally affect the listener’s brains and bodies. While
being one of the driving forces bringing techno culture to
Vienna in the early 90s – as DJ, producer and organizer, he
departed from that style soon after and moved on to less
explored, harsher fields of electronic dance. His turn towards
experimental electronic music in the second half of the 90s went
hand in hand with getting into programming his own music
software. He uses this knowledge since then for computer based
live performances and teaching at various universities and
education facilities. Since 2003 he’s developed the HEART
CHAMBER ORCHESTRA together with Erich Berger; an award-winning
audio-visual composition for 12 musicians in which the
heartbeats of the musicians create a score in real time. He
recently started to reintegrate beat-oriented compositions into
his live performances creating a dynamic collage of abstract
soundscapes and heavy, bodily music.</p>
<p style="margin-top: 0px; width: 250px;">He has over 30 physical
and digital releases on labels such as Editions Mego as BOLDER
(with Martin Maischein), PURE and ILSA GOLD, on Hinterzimmer
with his electronic percussion duo PRSZR (with Rafal Iwanski),
on Crónica, Praxis, Staalplaat, Drop Bass Network and many more.</p>
<p style="margin-top: 0px; width: 250px;"><a
onclick="javascript:pageTracker._trackPageview('/outgoing/musicwithmachines.org/');"
href="http://musicwithmachines.org/" style="color: black;
text-decoration: none;"><a class="moz-txt-link-freetext" href="http://musicwithmachines.org/">http://musicwithmachines.org/</a></a><br>
<a
onclick="javascript:pageTracker._trackPageview('/outgoing/soundcloud.com/pure');"
href="https://soundcloud.com/pure" style="color: black;
text-decoration: none;"><a class="moz-txt-link-freetext" href="https://soundcloud.com/pure">https://soundcloud.com/pure</a></a></p>
<p style="margin-top: 0px; width: 250px;">////////////////////////////////////////////</p>
<p style="margin-top: 0px; width: 250px;"><strong>Everest Magma</strong><span
class="Apple-converted-space"> </span>is the latest
incarnation of the hyperprofilic Italian musician behind Rella
the Woodcutter, a project that has already a number of releases
on Boring Machines and one on La Délirante. In recent years, he
put aside his psych-folk attitude and got his hands on a bunch
of machines, tape recorders and pedal effects. The results,
released once again by Boring Machines, confirm his desire and
ability to push towards the extreme borders of any genre and
instrument he confronts himself with.</p>
<p style="margin-top: 0px; width: 250px;">Recorded in the Summer
of 2014 while all the neighborhood was on vacation, Everest
Magma’s debut album Modern / Antique exemplifies the
multifaceted spectrum of sounds he’s currently willing to study.
Raw loops of almost broken circuitry, semi-danceable beats are
sometimes interrupted by more meditative and spacey moments or
disturbed by stretched and unintelligible vocals.</p>
<p style="margin-top: 0px; width: 250px;"><a
onclick="javascript:pageTracker._trackPageview('/outgoing/boringmachines.bandcamp.com/album/everest-magma-modern-antique');"
href="http://boringmachines.bandcamp.com/album/everest-magma-modern-antique"
style="color: black; text-decoration: none;"><a class="moz-txt-link-freetext" href="Http://boringmachines.bandcamp.com/album/everest-magma-modern-antique">Http://boringmachines.bandcamp.com/album/everest-magma-modern-antique</a></a></p>
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<a class="moz-txt-link-abbreviated" href="http://www.nkprojekt.de">www.nkprojekt.de</a></pre>
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