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<p style="margin-bottom: 0in"><font face="Times New Roman, serif"><font
size="3">Apologies for x-postings dear Resource list a very
special evening at NK on Saturday Oct 18th. <br>
Concerts and Performances on Saturday October 18<sup> </sup>2014</font></font></p>
<p style="margin-bottom: 0in"><font face="Times New Roman, serif"><font
size="3">Event at NK performances Begin at 22:00:</font></font></p>
<p style="margin-bottom: 0in"><font face="Times New Roman, serif"><font
size="3">Elsenstr. 52 2.HH 2.Etage 12059 Berlin</font></font></p>
<p style="margin-bottom: 0in"><font face="Times New Roman, serif"><font
size="3">nkprojekt.de</font></font></p>
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<p style="margin-bottom: 0in"><font face="Times New Roman, serif"><font
size="3">Kindly supported by INM</font></font></p>
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<p style="margin-bottom: 0in"><font face="Times New Roman, serif"><font
size="3">Kees Tazelaar and Marianne Dekker / Sergio Luque /
Alberto De Campo / Alex Mendizabal</font></font></p>
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<p style="margin-bottom: 0in; line-height: 0.16in"><font
face="Times New Roman, serif"><font size="3"><font
color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">Kees Tazelaar (July 27,
1962) was taught at the Institute of Sonology from
1981 to 1983 (Utrecht) and from 1987 to 1989 (The
Hague). He subsequently studied composition with Jan
Boerman at the Royal Conservatory in The Hague,
graduating in 1993. Since then Tazelaar has been
teaching at the Institute of Sonology. He is head of
Sonology since June 2006.</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">In addition to his own
autonomous works, he has contributed to music theatre
projects by Dick Raaijmakers (Die glückliche Hand
geöffnet, Scheuer im Haag) and Theatergroep Hollandia
(Perzen, Varkensstal).</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">In recent years he has
also been occupied intensively in the restoration and
reconstruction of major electronic works from the
past. In his specially equipped studio new versions
have been made of compositions by Gottfried Michael
Koenig (Klangfiguren II, Essay, Terminus), Jan Boerman
(Kompositie 1972, Ruïne), Edgard Varèse (Poème
Électronique), Iannis Xenakis (Concret P-H), György
Ligeti (Pièce Électronique no.3, Artikulation), Luctor
Ponse (Concerto voor Piano en Band).</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">Since June 2005, Tazelaar
is a visiting research fellow of the University of
Bath, UK, and as such participated in the VEP (Virtual
Electronic Poem) project.</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">During the winter semester
of 2005-2006, Kees Tazelaar filled the Edgard Varèse
Guest Professorship at the Technical University of
Berlin.</span></span></font></font></font></p>
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<p style="margin-bottom: 0in; line-height: 0.16in"><font
face="Times New Roman, serif"><font size="3"><font
color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">Keestazelaar.com</span></span></font></font></font></p>
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<p style="margin-bottom: 0in; line-height: 0.16in"><font
face="Times New Roman, serif"><font size="3"><font
color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">Marianne Dekker (*1953)
studied painting and graphic arts at the Royal Academy
of Art in The Hague. Her work consists of drawings and
paintings (small to medium sized) and short digital
animations based on stills and videos.<br>
After her studies she used strong colours and
figurative images. Then came a period of drawing more
sober coloured geometrical lines, characters and
signs, after which her work became completely
abstract. In her current work, colours are more
exuberant again.<br>
In 2004 she started photographing in her studio. She
takes pictures and makes films of (details of) her own
drawings and of small daily life objects. She uses
these pictures as material for making animation
movies. The electronic music for these animations is
made by composer Kees Tazelaar.<br>
Videowork has been presented at Metropoliskino in
Hamburg, Tesla Galerie in Berlin, the 2009 Shanghai
Electroacoustic Music Week, the Contemporary Museum of
the National University in Mexico City (MUAC), the
Institute for Contemporary Interdisciplinary Arts at
the University of Bath and Fylkingen in Stockholm.</span></span></font></font></font></p>
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<p style="margin-bottom: 0in; line-height: 0.16in"><font
face="Times New Roman, serif"><font size="3"><font
color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">mariannedekker.com</span></span></font></font></font></p>
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<p style="margin-bottom: 0in; line-height: 0.16in"><font
face="Times New Roman, serif"><font size="3"><font
color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">Sergio Luque is a composer
of vocal, instrumental and electroacoustic music, and
a computer music researcher. He lives in Madrid where
he co-directs and teaches in the<br>
Master in Electroacoustic Composition program at the
CSKG, and he is a guest lecturer at the Royal
Conservatory in The Hague.<br>
His music has been performed by the Schönberg
Ensemble, the Nieuw Ensemble, Garth Knox, the
Birmingham Contemporary Music Group and Les Jeunes
Solistes, among others, and has been presented in the
United Kingdom, the Netherlands, Germany, France,</span></span></font></font></font></p>
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<p style="margin-bottom: 0in; line-height: 0.16in"><font
face="Times New Roman, serif"><font size="3"><font
color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">He has received grants and
prizes from the University of Birmingham (United
Kingdom), the Fondo Nacional para la Cultura y las
Artes (Mexico), the Schönberg Ensemble</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">(Netherlands) and the
Centre Acanthes (France).</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">He has a PhD in Musical
Composition from the University of Birmingham, where
he studied with Jonty Harrison and Scott Wilson, and
was a member of BEAST (Birmingham</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">Electroacoustic Sound
Theatre). During his PhD, he worked on the development
of Iannis Xenakis’s stochastic synthesis and of the
BEASTmulch software (a tool for the</span></span></font><br>
<font color="#000000"><span style="font-style: normal"><span
style="font-weight: normal">presentation of
electroacoustic music over multichannel systems).</span></span></font></font></font></p>
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<p style="margin-bottom: 0in"><font face="Times New Roman, serif"><font
size="3">Sergioluque.com</font></font></p>
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<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">Alberto De Campo</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">Concert Title: Metacontrol Studies<br>
Description: Based on recent experiments with more
indirect forms of control (‘Lose control, gain
influence’), this performance will be an attempt to
formulate a balance between gradually relinquishing
control of the sounding<br>
processes in play and handling the ensuing surprises
gracefully.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">Bio: Alberto de Campo is a composer
and performer, and teaches Generative Art/Computational
Art. He explores a wide range of topics in collaborations
with other artists and students: Code-based network music
performance,<br>
biologically informed/inspired art such as the project
Varia Zoosystematica, hybrid audiovisual performance
instruments and interactive systems, and<br>
improvisation strategies in different contexts. Since
2009, he is Professor for Generative Art/Computational Art
at the University for the Arts Berlin.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">albertodecampo.net</font></font></font></p>
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0.16in"> <br>
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<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">Alex Mendizabal (Donostia, 1961. Does
as romans do)</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">Seven crickets in one and a half tone,
as a pendulum</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">Passive sonar listens without
transmitting<br>
music deals with passive listening</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">A bird call that might shift two
distant points<br>
accelerates the close action of an oscillator (not the
retro action)</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.16in"> <font color="#000000"><font face="Times New Roman,
serif"><font size="3">Psilence</font></font></font></p>
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0.16in"> <br>
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