<div class="gmail_quote"><br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">LIEBESLIEBIGLIEDERS,<div><br></div><div>2013 IST BEREIT UND WIR WÜNSCHEN UNS ALLE EINFACH EIN BESSERES NEUES WANDELSTERN (aka PLANET)!<br>
<br>HIER, AUF EIN MAL SOOO VIEL KUNSTMUZIKWORKSHOPS&LECTURES UND, <br><br>GENIALE MENSCHEN IM JANUAR 2013 :::: <br>
<h3><i>JANUARY</i> <i>12th ...SAMSTAG<br>
</i></h3>
<p><i><b>Girls on Tape (GoT) /// site specific performance***> 8pm!</b></i></p>
<p><b><i><i><b>‘12 Liebiglieder, oder wie erkläre Ich es meinem Nachbarn’ </b></i><br>
</i></b></p>
<p><i>In a society undefined by marginalised organisations such as the
Liebig12 projectspace, a neighbour is a presence in both an archetypical
as in a social way. In a troubled neighbourhood as Berlin’s
Friedrichshain socio-historical processes meet and clash.</i></p>
<p><i>The neighbour presented by Thatcheran neo-liberalist thought was a
figure that would create a society of helpful citizens. The political
world could no longer take care of every aspect of communal life.</i></p>
<p><i>During Friedrichshain’s DDR times, the neighbour was a possible
collaborator of the STASI, who kept a close eye on every move that wore
traces of insubordinate behaviour. The political world was supposed to
take care of every aspect of communal life.</i></p>
<p><i>In a neighbourhood where inhabitants come and go and speak
foreign languages and where most of the newly arrived don’t know
Berliner Weisse or the name of the coach of Hertha BSC, a classic
neighbour, the one on whose door you could knock if you had gone out of
sugar, is a species on its way to extinction.</i></p>
<p><i>The neighbour mainly exists on an ear to ear level. He is the
source of sounds leaking through walls and ceilings. Drills, vacuum
cleaners or washing machines at night produce sounds that define
commodities. The neighbour takes care of and feels at home in this
commoditised world</i></p>
<p><i><b>GoT</b>, a white cube gallery art noise duo, will pick up the theme of “The Neighbour.” <b>Jeff Surak</b> and <b>Rinus van Alebeek</b>,
the members of GoT will use elements of chanson, sound art, whisper
culture, plunderphonics, archaic ceremonies, voodoo, traditional
avant-garde music, soviet realism, musique concrete, the laws of Lee
Strassberg, geo-dating and journalism to investigate the relation
between performance art and neighbours.</i></p>
<p><i><b>‘12 Liebiglieder, oder wie erkläre Ich es meinem Nachbarn’ </b>is an attempt to come to peace with the neighbour that lives in every one of us.</i></p>
<p><i>The audience is advised to bring warm memories of their own
neighbours, be they from the past, from their home town or today’s, and,
if possible, to take some home-made apple pie too.</i></p>
<div><i><a href="http://zeromoon.com/artists/violet/" target="_blank">http://zeromoon.com/artists/violet/</a></i></div>
<div><i><a href="http://rinusvanalebeek.wordpress.com" target="_blank">http://rinusvanalebeek.wordpress.com</a></i></div>
<div><br>*************************************************</div>
<h3><i>JANUARY</i> <i>19th...SAMSTAG</i></h3>
<p><i><b>Design in Code Workshop:</b></i></p><p><b><i><br></i></b>
<i>Design in Code is an introduction to Processing. </i><br>
<i>It is a one day workshop designed for graphic designers and motion
graphic artists who are interested in creating images through
programming code. </i><br>
<i>Processing is an open source programming language for people who want to create images, animations, and interactions. </i><br>
<i>In this workshop students will learn the basics of programming in JAVA and start designing through computer logic.</i><br>
<i>Have a look on some works by Vj Fader here:</i><br>
<i><a href="http://www.vjfader.com/works_category/generative/" target="_blank">www.vjfader.com/works_category/generative/ </a></i></p>
<p><i>No previous programming experience is necessary. </i></p>
<p><i>Due to the limited availability (maximum of 18 students), pre-registration is recommended. </i><br>
<i>Please register and pay in advance via PayPal to reserve your spot: </i><br>
<i><a href="http://www.vjfader.com/design-in-code-workshop-liebig12/" target="_blank">www.vjfader.com/design-in-code-workshop-liebig12/ </a></i></p>
<p><i>For any questions regarding this workshop please send an email to: <a href="mailto:vjfader@gmail.com" target="_blank">vjfader@gmail.com</a></i></p>
<p><i>Date: Saturday Jan. 19th 2013</i><br>
<i>Time: 10am – 6pm (30 minute lunch break)</i></p>
<p><i>Price: 40 Euro </i><br>
<i>Cancellation and refund: 50% refund will be given if canceling 3 days before the day of the workshop.</i></p>
<p><i>Location: Liebig12 </i><br>
<i>Address: liebigstrasse 12 // 10247 // berlin</i></p>
<p><i>Requirements:</i><br>
<i>– Bring a laptop (PC/Mac)</i><br>
<i>– Install Processing software on your laptop,visit the download page here:<a href="http://processing.org/download/" target="_blank">processing.org/download/</a></i></p>
<p><i>Resources:</i><br>
<i>- <a href="http://Openprocessing.org" target="_blank">Openprocessing.org</a> a collection of top favorite sketches.</i><br>
<i>- <a href="http://Processing.org" target="_blank">Processing.org</a> an online exhibition of works </i><i>created using Processing.</i></p>
<p><i>About the Tutor::: VJFADER::::</i></p>
<p><i><b>James Cui (Fader)</b> is a visual artist who works with multimedia in a variety of disciplines. </i><br>
<i>From video mapping, generative animation, music videos, stage design
to art installations, his work has been shown to broad audiences around
the world. </i><br>
<i>He has exhibited at numerous festivals such as Coachella (Indio),
Burningman (Black Rock City), Insomniac Events (Los Angeles) and the
Mapping Festival (Geneva). </i><br>
<i>He received a degree in Animation from the Art Center in Pasadena
California and went on to teach himself how to write programing code for
his audio/video performances. </i><br>
<i>He founded the Neuromixer VJ software company in 2004 which features
video software and innovative prototypes like faderTouch….more under: <a href="http://vjfader.com/" target="_blank">vjfader.com/ </a></i></p>
<p>*************************************************</p>
<h3><i>JANUARY 25 / 26 / 27</i></h3>
<h3><i><b>” SPACE US THE PLACE “</b> </i></h3>
<p><b><i>A 3 <i>days event part of the reSource 003: P2P Vorspiel presented by transmediale 2013 & curated by Liebig12</i></i></b></p>
<p><i>More under:<i> <a href="http://liebig12.wordpress.com/2012/06/29/upcoming-2/transmediale.de" target="_blank">transmediale.de </a>//<a href="http://liebig12.wordpress.com/2012/06/29/upcoming-2/ctm-festival.de" target="_blank"> ctm-festival.de</a> //<a href="http://www.transmediale.de/resource" target="_blank"> transmediale.de/resource</a></i><br>
</i></p>
<h3><i><b>FREITAG 25</b></i><br>
<i>from 6pm<br>
</i></h3>
<p><i>“AUF DEM SCHLA-FLOß” – Episode II</i><br>
<i>street / public art intervention for Liebigstrasse 12 by Holger Bleck & Allegra solitude</i></p>
<p><i>“EGO´S WIDOW” </i><br>
<i>performance by Pietro La Hara</i></p>
<p><i>‘Ego’s Widow’ is a live sculpture performance piece, representing
of the inner state, by the split between true self and false self: the
higher and the lower. It celebrates the end of an era, not only on a
personal level, but also from a global view. It’s the triumph of
feminine energy over thy male dominating structures of belief systems
and politics. It’s the advent of the Venus’s era, as a symbol of
inner-deeper beauty, rather than physical and material. It celebrates
the death of the attachments with the core values by which the western
world has established its power, the exasperation of acquiring trough
the accumulation of capital, the fetishism of technologies >> </i><i>more under</i>: <i><a href="http://liebig12.wordpress.com/2012/06/29/upcoming-2/lahara.portfoliobox.net" target="_blank">lahara.portfoliobox.net </a></i></p>
<p><i>MEDITATIONALSCAPES – <b>performances until 11pm</b> – by</i></p>
<p><i>SIMON OLIVIER “SINWAVE” (electric guitar – roland keyboard – analogue and digital effects) – solo</i></p>
<p><i>NICO LIPPOLIS (drums and percussions) & GIOVANNI VERGA (
different effects / sound colours + electronics & keyboard) – duo</i></p>
<h3><i><b>SAMSTAG 26</b></i><br>
<i>Composers talk / performance from 7pm</i></h3>
<p><i>“CLOUDS, SIEVES and BEES” – CRISTIAN VOGEL </i></p>
<p><i>“Some of my recent music is derived from a mashup of algorithmic,
philosophical and formalist thinking about composition. I hope to
share my enthusiasm for thinking about more abstract compositional
theory, and how this can be motivating for the challenge of inventing
modern music.”</i></p>
<p><i>Cristian Vogel has been a long-term innovator in the composition,
mixing and performance of electronic sounds. Over a 20 year career at
the vanguard of European electronic music, his work has been highly
acclaimed for its quality, vision and attention to detail. He has been
acknowledged for blueprinting the “minimal” and “wonky” techno music
styles back in the mid-nineties, as well as outstanding work in the
field of avant-garde composition for contemporary dance, film and sound
art. </i></p>
<p><i>more under</i>: <i><a href="http://liebig12.wordpress.com/2012/06/29/upcoming-2/no-future.com/vogel_microsite/" target="_blank">no-future.com/vogel_microsite/</a></i></p>
<h3><i><b>SONNTAG 27</b></i><br>
<i>exhibition opening from 6pm</i></h3>
<p><i>A SCANNER DARKLY, 2013</i><br>
<i>a site specific audiovisual installation by Pierce Warnecke </i></p>
<p><i><i>curated with Manuela Benetton</i></i></p>
<p><i>(presented also as the final project of Pierce´s Meisterschüler studies at Universität der Kunst, Berlin)</i></p>
<p><i>“In order to better understand us, a machine of non-human origin appears in our reality.</i><br>
<i>Its function seems to be to study the peculiarities of its new
surroundings, done by scanning objects and elaborating an audiovisual
analysis of them. From it’s imaginary objective viewpoint, the machine
explores generative and degenerative processes based on observed
patterns it detects in our world, which we interpret as audio and video
streams.</i><br>
<i>The piece is also, in a sense, a homage to the science fiction genre
in its entirety, whether it be the intellectual, esteemed and
innovative side (Ryoji Ikeda,Andrei Tarkovsky) or the more popular,
clichéd or even ironic side (John Carpenter, Philip K. Dick)”</i></p>
<p><i>more under</i><br>
<i><a href="http://liebig12.wordpress.com/2012/06/29/upcoming-2/piercewarnecke.com" target="_blank">piercewarnecke.com</a></i></p><p>*************************************************</p><p>Liebig12</p><p>Liebigstrasse 12 - 10247 - Berlin</p>
<p>
U5 / M10 / M21 - Frankfurtertor</p><p><a href="http://www.liebig12.wordpress.com" target="_blank">www.liebig12.wordpress.com</a></p><p>*************************************************</p>If you dont want to be part of this mailinglist anymore just reply: REMOVE ME
</div>
</blockquote></div><br>